[open-humanities] Fwd: cfp Shakespearean International Yearbook: digital Shakespeares

James Harriman-Smith james.harriman-smith at cantab.net
Tue Feb 21 10:16:27 UTC 2012


Definitely interested in doing something on Open Shakespeare for this. Will
try and get a draft out to the list in March.

James

On 17 February 2012 18:23, Jonathan Gray <j.gray at cantab.net> wrote:

> Any interest in doing an article on OpenShakespeare for this?
>
> J.
>
>
> ---------- Forwarded message ----------
> From: Humanist Discussion Group <willard.mccarty at mccarty.org.uk>
> Date: Fri, Feb 17, 2012 at 8:13 AM
> Subject: [Humanist] 25.735 cfp Shakespearean International Yearbook:
> digital Shakespeares
> To: humanist at lists.digitalhumanities.org
>
>
>                 Humanist Discussion Group, Vol. 25, No. 735.
>            Department of Digital Humanities, King's College London
>                       www.digitalhumanities.org/humanist
>                Submit to: humanist at lists.digitalhumanities.org
>
>
>
>        Date: Fri, 17 Feb 2012 16:02:28 +0800
>        From: "Brett D. Hirsch" <brett.hirsch at uwa.edu.au>
>        Subject: cfp: Digital Shakespeares
>
>
> Digital Shakespeares: Innovations, Interventions, Mediations
> A Special Issue of The Shakespearean International Yearbook
> Edited by Hugh Craig and Brett D. Hirsch
>
> If data is "the next big idea in language, history and the arts", as
> Patricia Cohen has suggested, where are we now in Shakespeare studies?
> Are we being "digital" yet?
>
> The guest editors of this special issue of The Shakespearean
> International Yearbook invite papers to critically explore digital
> innovations, interventions, and mediations in Shakespeare studies, in
> particular, the application of digital technologies and methodologies
> -- such as computational stylistics, data mining and visualization, 3D
> virtual modelling, electronic publishing, etc. -- and their impact on
> Shakespeare research, performance, and pedagogy.
>
> Papers theorizing "digital", "networked", or "new media" Shakespeares,
> as well as papers interrogating the ways in which the digital
> influences the performance of Shakespeare on both stage and screen,
> are also welcomed.
>
> Abstracts of c.200 words should be emailed to Hugh Craig
> <hugh.craig at newcastle.edu.au> and Brett D. Hirsch
> <brett.hirsch at uwa.edu.au> by 10 April 2012. Full articles of accepted
> abstracts will be expected by August 2012 to allow for review,
> revision, and publication in 2013.
>
> --
> Dr. Brett D. Hirsch
> University Postdoctoral Research Fellow
> Centre for Medieval and Early Modern Studies (M208)
> The University of Western Australia
> http://www.notwithoutmustard.net/
>
> Coordinating Editor, Digital Renaissance Editions
> http://digitalrenaissance.arts.uwa.edu.au/
>
> Co-Editor, Shakespeare
> http://www.tandf.co.uk/journals/shakespeare
>
>
>
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>
> --
> Jonathan Gray
> http://jonathangray.org
>
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>



-- 
James Harriman-Smith
Lecteur d'anglais
ENS de Lyon
Bureau F323
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